I’ve always admired stories of struggle, all kinds of
struggle, as much with the shackles generated by the self as those of the
world. I’ve been inspired by stories of being and becoming, of finding full
potential, nay even those that tell of the struggles to surmount seemingly
insurmountable obstacles, before the first steps toward liberation can be taken
I know that if one but stands still enough, one and see and
hear these stories all around. In many ways each one of us has a coming of age,
a finding of enlightenment story to tell, if only the world would hear.
We are after all but the many leaves of one tree,
interconnected, similar, differ though we may in size and shape, in language
and idiom.
Queen is one such tale, told with finesse and conviction.
Its point of departure perfect, its trajectory true, it never, not once, loses
focus. Many , many years ago, there was another rendering of another liberation
and another finding. The story of Rose of the ‘Titanic’, told with splendor and
skill, on a grand scale albeit in a different language and idiom. In its essence it was the same as
the idea explored in the ‘Queen”, that of a young woman shackled by patriarchal
tradition, taught to believe in her own incompleteness, forbidden free thought
and speech and taught, nay trained animal like, to behave in an appropriate
fashion.
The human spirit wishes to break free and desires no
structures imposed by the external world, that’s evident and therefore the
indoctrination begins early, in the nascent years. There is an extremely
poignant visual in the Titanic, of Rose watching with tears in her eyes as an
infant girl is ‘taught’ to sit erect , fold her napkin right and use the ‘correct’
dinnerware. We learn to do to our children that which we may have resented when
young and free, indeed it’s called ‘socialisation’!!!Women
bear a larger part of this civilizational load and in the Indian/Asian context
this is particularly apparent.
It is this context that the film frames beautifully. Told in
a light hearted manner, the metaphors are young and modern. The situations part
of our daily lives, urban, mixed up modern, middle class India, realistically
reproduced on screen. It’s the directors ship (#Vikas Behl) and he sails it safe
into harbor to find a resting place in the mind and hearts of the audience. The
casting is brilliant. #Kangana Ranaut, becomes Rani, she has the unique ability
to forget the ethereal beauty of her physical self, that I think, enables her
to put in an uninhibited performance, not the first, and certainly not the
last. I look forward to many more such from her. It’s a delight to watch her
glow, luminescent with inner light, as she walks away at last from all that
inhibits her…that is indeed ‘the’ mantra one must aspire to live by.
I thought that the Japanese, Italian and Afro American
characters, as the overseas expats could
have been cast with greater care, they come across as somewhat caricatured ,lacking
in nuance. Perhaps a few subtle details
would have lent depth to the narrative. However,
it’s a thoroughly engaging film, keeps
the heart and the mind occupied!!
Vinny Jain
6/4/14
extremely delighted that Ms Kangana Ranaut was honoured with the NDTV actor of the year award, and Mr Aamir Khan consented to make that presentation...richly deserved !!! congratulations...!
ReplyDelete